Lyric Of The Day – Sleeping

  
Song: Sleeping

Album: Our Secrets Are The Same

Year of release: 2000 (unofficial), 2004 (official – as part of Silver Box box set)

Composers: Jim Kerr/Charlie Burchill/Kevin Hunter

*lyrics never published and have been deciphered myself so could be erroneous. 

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Why I Love…Constantinople Line

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(Lol…the home made video though…what is has to do with Istanbul or trains, I dunno?)

It’s the rhythm of it to begin with. Very reminiscent of David Bowie’s Station To Station. It reminds me of it, but is far enough removed not to sound a pastiche. Charlie’s guitar fade at the end is SSOO much like the beginning of Station To Station. Charlie does a pretty “Slick” nod to it (Bowie aficionados *may* pick up what I did there!).

A great bassline once again from “Big Dan”. And Charlie uses the guitar effects for a nice screeching sound. Maybe it’s just reverb. I can’t claim to understand what I hear, but I know I like it!

Absolutely one of the best set of lyrics Jim has ever written. They are very image laced. I see the pictures in my head when he sings them “I see a land, as we…

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Why I Love…Garden Of Hate

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The very first time I heard it, I fell in love with it. It’s Mick MacNeil’s organ playing (I’m assuming it’s an organ, it sounds like one) that first hooked me in. It is SO reminiscent of “Waltzinblack” by The Stranglers (another absolute FAVE instrumental – oddly enough, The Stranglers are the Minds’ support/co headliners for the November European and UK area gigs) but Garden Of Hate pre-dates it. Did Dave Greenfield hear Garden Of Hate and get ideas? That’s a nice thought!
Charlie Burchill’s guitar is actually quite hard rock on this. Guitar rock waltz!

It’s a curiosity for a Simple Minds track in that it’s OVERTLY dark. I love that! I love a band that can do “dark” convincingly. And their music had a darker edge to it in the early days…but this is something else! And I think that is why I was SSOO blown away by…

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Why I Love…Seeing Out The Angel

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It starts with, quite possibly, Mick MacNeil’s finest if nor most hauntingly beautiful piece of synth work. It’s quite a simple chord structure, but I find it just gives me goosebumps (chicken skin) EVERY TIME.

Then comes in another gem of a bassline from Derek Forbes. His bass comes alive, with the backing of the dramatic and atmospheric drum beats from Brian McGee. Then that haunting backing vocal from Jim. Just barely audible above the synth, bass and drums. Then those beautiful, haunting lyrics from Jim, including quite possibly, my favourite line of a song, ever, “in colourful, breathless, emotional sea”. His voice is deep. A song probably sung in the deepest register he could achieve. That juxtaposition of the depth of his voice and high, soaring chords of Charlie’s guitar just gives me goosebumps (chicken skin!).
I watched an interview with Jim from 1983 and he said, “I never…

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