Album: Our Secrets Are The Same
Year of release: 2000 (unofficial), 2004 (official – as part of Silver Box box set)
Composers: Jim Kerr/Charlie Burchill/Kevin Hunter
*lyrics never published and have been deciphered myself so could be erroneous.
(Lol…the home made video though…what is has to do with Istanbul or trains, I dunno?)
It’s the rhythm of it to begin with. Very reminiscent of David Bowie’s Station To Station. It reminds me of it, but is far enough removed not to sound a pastiche. Charlie’s guitar fade at the end is SSOO much like the beginning of Station To Station. Charlie does a pretty “Slick” nod to it (Bowie aficionados *may* pick up what I did there!).
A great bassline once again from “Big Dan”. And Charlie uses the guitar effects for a nice screeching sound. Maybe it’s just reverb. I can’t claim to understand what I hear, but I know I like it!
Absolutely one of the best set of lyrics Jim has ever written. They are very image laced. I see the pictures in my head when he sings them “I see a land, as we…
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The very first time I heard it, I fell in love with it. It’s Mick MacNeil’s organ playing (I’m assuming it’s an organ, it sounds like one) that first hooked me in. It is SO reminiscent of “Waltzinblack” by The Stranglers (another absolute FAVE instrumental – oddly enough, The Stranglers are the Minds’ support/co headliners for the November European and UK area gigs) but Garden Of Hate pre-dates it. Did Dave Greenfield hear Garden Of Hate and get ideas? That’s a nice thought!
Charlie Burchill’s guitar is actually quite hard rock on this. Guitar rock waltz!
It’s a curiosity for a Simple Minds track in that it’s OVERTLY dark. I love that! I love a band that can do “dark” convincingly. And their music had a darker edge to it in the early days…but this is something else! And I think that is why I was SSOO blown away by…
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It starts with, quite possibly, Mick MacNeil’s finest if nor most hauntingly beautiful piece of synth work. It’s quite a simple chord structure, but I find it just gives me goosebumps (chicken skin) EVERY TIME.
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Because it is one of the (if not THE) sexiest songs they’ve ever made.
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I’ve talked about my love for Boys From Brazil in passing several times now. On the Simple Minds FB page too, telling Jim how much I would love to meet Brian McGee and thank him…KISS HIM…for those amazing drums. Yes, Jim says Mel Gaynor is the best drummer in world…and he might be right. He certainly is stellar and gifted. But Brian’s role in the Simple Minds story, no matter how brief it was, should NOT be underplayed. He was there for four albums…five, if you count Sons And Fascination and Sister Feelings Call as separate entities. His work on those albums alone deserves endless accolades.
So, yes. Those drums. I find the beat of this song hypnotic. And it is down to these drums. It’s almost like you actually get transported to the Brazilian rainforest itself. Subtle synths slide in from Mick and then Charlie’s gleaming guitar comes in…
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(The clip will play from the right point on a desktop – but if you are viewing this post via a smartphone or tablet. You may want to skip to 5 min 12 sec)
A wonderfully political snapshot of Eastern Europe of the late 1970s. If you think Simple Minds only became political in the mid to late 80s…listen to this and you’ll know you’re mistaken.
I know I go on about Jim’s songwriting, but I do for a reason, it’s bloody good!! His words are just always so image-laced. With this one, I see European ruins…old city plazas and squares, the bell tower of a gothic cathedral (“I hate the sound of bells”), soldiers, dispossessed youth – wearing drab clothes and looking on edge, for fear of something dangerous and immanent occurring. A casual tourist taking snaps.
Study the words…they’re brilliant! He also delivers one of the most potent…
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